Parker's work questions the emerging technologies in contemporary music, art, and architectural practices; notions of spatiality in translating from the physical to the virtual. He believes these translations are not lossless, that what is vanished is a sense of presence, or what Walter Benjamin defines as object aura, leading to a holistic cybernetic fantasy which blurs the line between the virtual and the real. The physical object is slowly tranquilized and replaced with less potent simulacra of itself. Cybernetic algorithms have largely informed modern conceptions of intelligence, thus ignoring the ways in which naturally-occurring physical systems also form networks encoded with complex information. The quantization of analog information, from continuous data to discrete data, from unfiltered information to 1’s and 0’s, is a process which intentionally simplifies and restructures the natural world in order to increase control and accuracy. His works seeks to voluntarily relinquish this computerized regulation in favor of an analog aesthetic.
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